Friday, 8 December 2017

Representation theories.

Gender 

Laura Mulvey (1975) argued women in the media are used as; ‘Erotic objects of desire for males on screen and in the audience,’ (Mulvey, 1975).

Gauntlett (2002) argues males in the media still follow traditional stereotypes as they are shown as, ‘Alpha males who control the action with violence,’ (Gauntlett, 2002).

Mackillon argues something slightly difference, ‘Males are now shown as sexual objects of desire who are more concerned with image,’ (Mackillon, 2002).

Race/Ethnicity
S.Hall said in 1981, blacks are stereotyped as; "The social problem," (Hall, 1981) and this is a stereotype that has been embraced by Hip-Hop culture. 

Theorist Sarita Malik points out the obvious 1998); “The word ‘race’ in the cultural and political terrain has almost universally been aligned with Black and Asian people, as though they are the only racial groups that ‘own’ an ethnicity… Whiteness has been naturalized, as though it is an invisible ‘norm.’ When it is of course an ethnic group like any other. 

Malik argues: “Many feel that Black and Asian audiences are still not sufficiently catered for and that insensitivity towards issues of race and ethnicity still exist. The reality of a lived multiculturalism is not represented in the British media." 

Youth
Stanley Hall (1904):
 “ Adolescence is inherently a time of storm & stress when all young people go through some degree of emotional and behavioural upheaval, before establishing a more stable equilibrium at adulthood." Hall also argued that:
1. The common mood of teenagers is a state of depression.
2. Criminal activity increases between the ages of 12 & 24.
3. Young people are extreme and need excitement; “Youth must have excitement and if this is not at hand in the form of moral intellectual enthusiasms it is more prone to be sought in; sex, drink or drugs.”

 Dick Hebdige (1988) argued youths are stereotyped as mixed metaphors of; “Youth as fun,” and “Youth as trouble maker.”

OLD AGE/DISABILITY
EVANS (1998), drawing on the works of Freud and other psychoanalysis, states:
“Disable people are seen as childish, dependant and underdeveloped and are regarding as ‘other’ and are punished by being excluded from ordinary life. Thus popular images and rhetoric of disabled people abound which comfort us with people who are imperfect, helpless, disgusting, shitty, dribbling – a threat to rigid ego boundaries.

Class
Richard Butsch (1992) who says working class males in the media are presented as; "Incompetent and ineffectual, often a buffoon, well-intentioned but dumb. In almost all working-class series, the male is flawed, some more than others..

Keith Gandal's, in 2007 he said that target audiences are drawn in by the; "Sentimental rags-to-riches story,"


Regional/National Identity
Theorist Andrew Higson (1998) writes; “Identity is generally understood to be the shared identity of naturalized inhabitants of a particular political-geographic space – this can be a particular nation or region.”

On classic example in British Music Magazines of connoting it is a magazine for British readers is using the Union Jack flag and colours. 


Unseen Cover Exam Practice

The masthead here for Billboard Magazine is very iconic for fans, showing the blue and green but hiding the red and yellow behind Bruno's head. It's large and bold and represents the target audience (16 year old - 26 year old C1 - D) with the bright colours of the masthead. This represents the argument of Dick Hebdige (1988) that "Youth is fun", the connotations with bright colours is joy and happiness and so this represents the youths from the target audience.

The colour pallet of the magazine is mainly white, yellow and blue, the bright colours represent Hebdige's argument that "Youth is fun" due to the connotations to joy and fun from bright colours. The youths may also be represented by the dark blue background as the connotations of darker colours is depression and negative emotions. Stanley Hall (1904) argued that "the common mood of teenagers is a state of depression", therefore the background represents youth. The bright colours on the dark background stand out and attract people scrolling past it.

The mise-en-scene on the magazine is simplistic, a simple short sleeved shirt and some jewellery and glasses on Bruno Mars is the main image. The short shirt and Jewellery mixed with Bruno's right arm being in the position it is, showing his bicep represents Mackillon's theory that "males are now shown as sexual objects of desire who are more concerned with image". This represents the females in the target audience as Bruno is dressed like that to attract them. The upper class is also represented by the way he dresses as he appears to be quite rich when wearing jewellery.

The typography in the cover is quite simple and bold, the font isn't fancy, it's easy to read and doesn't specifically represent any particular genre of music as Billboard Magazine focusses on a wide range of genres. The main story is shown just next to Bruno Mars, it's big and bold and easily seen, there are also other stories seen on the magazine cover in smaller text of varying thickness and colours of white and yellow.

Tuesday, 5 December 2017

revision tools.

MOJO cover.







































Camera shots and angles:
Extreme longshot.
longshot.
medium longshot.
medium shot.
medium close up.
close up.
extreme close up.

Bird's eye view.
high angle.
eye level.
over the shoulder.
low angle.
Worm's eye view.
CAMERA MOVEMENTS.
Zoom: when a camera stays still but the image is zoomed on.
Pan: when a camera stays still but turns left and right.
Tilt: When a camer stays still but tilts up and down.
Dolly: when the position of the camera is moved forwards or backwards.
Trucking:when the entire camera is moved left or right.
Pedestal: when the entire camera is moved up and down.